Other Works, Older Works:  Studio Pieces
   

The watercolors of peaches was going to be a larger series, but the models were too tempting and were consumed before they could pose for any additional works.   These are generally my oldest works here, most inspired by a trip to France in 2004.

 

 
 

I had the great pleasure of visiting this unique home, which overlooks the Coachella Valley, early one morning as winter was giving ground to spring.  It was a genuine treat to watch both the day itself, and the season of Spring, unfold from this porch.

"Spider House Morning"
Acrylic on Canvas Board
6"x8"

 

On the steps of St. Pierre Cathedral in Tonnerre', France, a friend's daughter is completely caught up in the colored confetti left over from a recent wedding; still at the age when "this or that" polarities haven't begun to restrict her world.  While the adults talked about how old the cathedral was, and how much repairs cost, and other practical topics, Charlotte gathered leftovers from a celebration, on an overcast day; a small handful of color for each of us.

"The Petite Gleaner" 
Acrylic on Canvas
16"x20"

 

During my visit to Tonnerre, I had the great fortune of getting to explore the village by dogging the heels of one of its residents, following the paths and walks, shortcuts and alleyways he'd used his entire life.  It was a wonderfully intimate way to be in such a place, to feel for a moment an inkling of what it was like to live there.

"Above Tonnerre"
Acrylic on Canvas Board
5"x7"

 

This painting captures my first impression of a family friend's farmhouse outside of Tonnerre, France, and my first experience of French hospitality - warm and graceful.  The door is ajar, and our hostess is watching our arrival even as she effortlessly prepares a simple and magnificent 6 course lunch for us - everything is 'just so' without looking like any effort was needed.

"Farmhouse Near Tonnerre"
 

Acrylic on Canvas
16"x20

It seems very easy to reduce historical persons, particularly those held in disdain or contempt such as the abusively wealthy pre-revolution French aristocracy, to mere two-dimensional characters.  But while touring the Château Vaux Le Vicomte, I realized that the history of this place included an extremely painful loss for Nicolas Fouquet’s wife – the loss of her home.  This window parallels the view from her bedroom window, looking out onto the gardens that had been designed with her in mind.

"View of Mme. Fouquet"
Acrylic on Canvas
16"x20

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The heart of an authentic French meal is the bread, fresh from the bakery that day. It's aroma triggers reminiscences about childhood and feasts, not to mention meals to come. Just the act of purchasing it triggers an anticipation that rivals that of any child awaiting Christmas morning.

"The Gourmets"
Acrylic on Canvas Board

16"x20"

This watercolor painting of a coral reef demonstrates the richness of color found in such reefs and possible in watercolor.

"Above the Reef"
Watercolor on Arches paper
10"x14"

 

Inspired from the account in Luke 24:13-35, in which Christ appears to two disciples shortly after the resurrection, and though he explains the prophecies for them, they do not recognize him until he makes the very familar and ordinary gesture of breaking bread:

"The Supper At Emmaus"
Acrylic on Canvas
24"x36"

This watercolor landscape portrays a beautifully preserved mill on a small river in France.

"The Mill at Moret-sur-Loing"
Watercolor on Arches paper
10"x14"

 

This composition of fresh peaches, cockatoo feathers and a hand thrown pot (made my sister) was inspired by my Mollucan cockatoo Leila - not only does she love peaches as food and toys, she has peach colors in her feathers, including the shed crest feathers in the composition.  And the pot - for some parroty reason it is irresistible to her and has be kept out of her reach at all time.

"Peach Arabesque" 
Watercolor on Arches paper
10"x14"

This painting captures one of the first moments during that trip when I was simply struck by the beauty of something for no concrete reason – there’s no signage on this kitchenware, it is not the point of the displays in the kitchen beneath the Chateau – but this niche and its contents made me stop

"Vaux Pause" 
Acrylic on Canvas Board

12"x16"

 

Since keeping things that are not parrot-proof, like fresh peaches or shiny  pottery, out of Leila's clutches is something of a dance, a destruction tango she leads; in both of these paintings I've used the crest feathers to suggest ballet positions - arabesque and attitude.

"Peach Attitude" 
Watercolor on Arches paper
10"x14"

   

 

 
 

Other Works, Older Works:  Plein Air   The Main Gallery Page Three

    Engraving of Dionysus, link to Color PoemsNysa Gallery: Explorations of Dionysian Freedom      

Portrait of the Goddess Nix, link to Plein Air de Nuit galleryNyx Gallery: Explorations at Night

   
          Purchase Originals or Giclee' prints  
                     

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